The JUST BANKS remix is a solid hybrid of a Breaks and House tune where the deep vibe and slightly dark mood of the instrumental corresponds well with the lyrics performed by THE BLAKTRONIKS.

The two hairy dudes from THE INTEGRALS deliver a wild and banging Electro remix monster with influences of Rave, Trance and even Reggaeton that will destroy dancefloors across the globe.

The third remix, a collaboration between ROLAND SCHWARZ and SHANTISAN, is keeping it on the
mellow side of things with a fat bassline/synth combo backed up by a compelling beat.

The streets is hot, them wildfire winds gonna blow the spot!

Feedback:
OMGITM: “!INTEGRALS RMX is killin it! will feature it on youtube!”
Marten Hørger: “really like all of them… integrals remix does it for me…”
Ben&Lex: “Seriously good relase ya´ll!! Dj plays for Integrals & original and radio support on all 3″
Discoscience: “very different mixes & all good! integrals for club, roland`s for my radio show… nice!”
Kristian Davidek : “Compact breaks, just like they should be! Haven’t used the word “groovy” in a long time. Will do now.”
John Cavanagh: “Lovin the energy of the Just Banks remix, Wicked voacals as well”
Mr No Hands: “tight. like this v much”
Ben Mono: “this one is gonna be part of my radioshow for sure.”
Manmade: “killer vocal…. fat”
Inconspicuous Villain: “Just Banks remix is bang on!”
Ellgieff: “The Just Banks remix is groovy as hell…”
Missmax: “Love the broken house beat of the Just Banks remix and the laaaid back roland s and Shantisan rmx.  Nice!”

To reveal the true deepness and brilliancy of the lyrical poetry of Veda36 and Edd Dee Pee of the BLAKTRONIKS I wanted to share a lyrical analysis of Wildfire Winds with you.

Release date: August 16th 2010

Lyrical analysis:

My verse for “Wildfire Winds” addresses the issue of violence within the African/African-American or urban communities throughout the U.S. The lyrics depict a mother giving birth to twin sons, one being human and the other being a gun. In the song, I take upon the perspective of the human son, who has struggled within the womb to avoid the violent eruptions of my twin brother, the gun.

I rely heavily upon imagery to illustrate such a struggle. Lines such as “Nine months, amniotic twin, wrestle the gun / Inhale powder black, louder clap, light through the clouded sac,” are intended to place the listener in the amniotic sac with the human son as he deals with the thunderous gun claps and brief flashes of lightning-type light. After a prolonged pregnancy of 38 weeks, the mother finally gives birth to the human son and the gun. (Incidentally, when I mention the line “ . . . deuce deuce to tre 8,” I’m not only referencing the weeks of the pregnancy, but I’m also making allusions to types of guns. [i.e., .22 and .38 caliber handguns]).

Although initially trying to avoid and “silence” his brother, the human son and the gun become inseparable, and together, they perpetuate the cycle of the violence so prevalent in African-American communities. In the last three lines of my verse, I mention the following: “When I asked moms, she said street was his father / The potent mixture of sex and violence / Every sibling got a twin, rapid spit, no silence.” As is implied through the lines, the mother was “impregnated” or influenced by the “streets” or environment in which she lived. (The subtext is that many mothers within African-American communities are often left to raise children on their own.

Unfortunately, sometimes as a result of the mother working long hours to make ends meet, the child is parented by the “streets.”) The message is that violence not only affects the victims and their families and the perpetrators, but it also has a detrimental impact upon all within the society or community. Further, it is important to recognize some of the factors, such as poverty and societal neglect, which often plant the seeds of apathy and violence.

On a final note, in my verse, as well as edd dee pee’s, we both describe the conditions on the streets of inner city America as we see them. The hook for the song was developed through an analogy that edd made between life on the streets and the recent California wildfires (hence the term the “streets is hot”).

Lyrical analysis by Veda36

This release marks the return of JUST BANKS, who joined forces with New Jersey´s finest SHANE FONTANE to deliver a worthy successor to his last EP “Bust A Move”.

The original mix of “Dirty” is a full vocal uptempo party breaks monster with that extra funky twist and a compelling vibe the crowd cannot resist.

The punchy electro mix delivers razor-sharp sounds and an infectious groove guaranteed to rock every electro-house DJ set. Once again FONTANE´s vocals complement the music perfectly and heat up the party vibe even more!

The MIKE RIGLER remix is a perfect example of what a proper electro breaks banger should sound like. The superb wobble bass action and blasting drums will rip every dancefloor into pieces.

Just Banks is back and he is louder than ever!

Feedback:
Evil Nine: “… good solid electro action that i’m sure will tear up many a club”
Scott Kirkland (The Crystal Method): “Great release! Will drop this asap.”
DJ Icey: “…the Funkiest Man in all of Austria 4 sure!”
Marten Hørger: “LOVE IT!”
Mooqee: “Great track!”
Quincy Jointz: “That´s how Breaks should sound like in 2010.”
Missmax: “Dirty, Sexy tune. The original is perfect booty shaking ammo.”
Bob Frisky: “nice filthy Electro-breaks”
Jaurelio: “It’s a brilliant tune!!!”
CMC & Silenta: “All Tracks are absolut Bangers! Another great release from Just Banks.”
Elektrobotic: “Mad remix it really gives it an edge”
AcidFlash: “Great stuff! Love the vox!”
Michael Stukes: “Ladies are gonna luv this 1.”
DJ Nelson: “WICKED! really good arrangement and the synth is phat!”

Marten Hörger
Norman Frazier
Just Banks
Technick